\u003Cbr />\n \n**Galerien**\n\n* 2019 – Galerie Carla Renggli, Zug\n* 2018 – Galerie für Komische Kunst, Bern\n* 2017 – heute NoA Network of Arts, Luzern\n* 2016 – Paper Gallery, Manchester (EN)\n* 2016 – Galerie Loewen, Chur\n* 2014 – Galerie Hadorn, Lichtensteig\n \u003Cbr /> \u003Cbr />\n \n**Einzelausstellungen**\n\n* 2020 – Kunst- und Kulturzentrum KKLB, Beromünster\n* 2019 – Verwaltungszentrum Zug 1 (organisert vom Amt für Kultur Zug + Baudirektion Zug) zusätzlich Schaufensterausstellung beim Steueramt, Bahnhofstrasse Zug / Ankauf von zwei Werken in die Sammlung des Kantons\n* 2019 – Kunst- und Kulturzentrum KKLB, Beromünster\n* 2019 – Made in Sud, Luzern\n* 2018 – Kunst- und Kulturzentrum KKLB, Beromünster\n* 2018 – Kunst im Spital (kuratiert), Kantonsspital Luzern\n* 2017 – NoA Network of Arts (off space) bei SmartTalk, Luzern\n* 2015 – Forum Zugerland, Migros Kulturprozent, Steinhausen\n* 2015 – Downtown Redlands Art Walk, Kalifornien (USA)\n* 2014 – Studio Grigio, Davos\n \u003Cbr /> \u003Cbr />\n \n**Ankäufe**\n\n* 2020 – Kunstmuseum Luzern\n* 2020 – Kanton Luzern\n* 2020 – Visarte Zentralschweiz, Jahresgabe für Gönner\n* 2019 – Kunstsammlung des Kantons Zug\n* 2011 – Blutspendezentrum Luzern\n \u003Cbr /> \u003Cbr />\n \n**Kunst und Bau**\n\n* 2019 – Wandbild Unterführung Gerliswilstrasse, Emmenbrücke (LU)\n* 2019 – 2 Wandbilder Flughafen Zürich (SSP)\n* 2013 – Raiffeisen Bank Surselva, Ilanz\n \u003Cbr /> \u003Cbr />\n\n**Preise**\n\n* 2020 – Jahresgabe für GönnerInnen der Visarte Zentralschweiz\n* 2016 – Kultur-Förderpreis vom Kanton Graubünden\n* 2012 – Wettbewerbsgewinnerin Kunst am Bau Raiffeisenbank Ilanz\n* 2014 – 2. Preis am FUMETTO Zeichnerduell, Luzern\n* 2013 – 2. Preis am „Concours international d’illustration“, Apach\n* Academy, Crans-Montana\n \u003Cbr /> \u003Cbr />\n \n**Künstleraufenthalte**\n\n* 2015 – Palm Springs, Kalifornien (USA)\n* 2011 – Moray Art Centre, Findhorn, Schottland (GB)\n \u003Cbr /> \u003Cbr />\n\n**Engagement**\n\n* 2019 – Vorstand Visarte Zentralschweiz\n* 2016-17 – Vorstand Visarte Zentralschweiz\n* 2015 - 2016 – Mitgründerin der künstlerbetriebenen off-space Galerie a-space: Messeauftritte in Europa, lokale Ausstellungen und Zusammenarbeit mit Paper Gallery (UK)\n \u003Cbr /> \u003Cbr />\n \n**Design**\n\n* 2017/18 – Zusammenarbeit mit Designstudio Okro, Chur Kunstobjekte in kleiner Auflage\n \u003Cbr /> \u003Cbr />\n\n**Kunstmessen**\n\n* 2016 – Art Market Budapest (HU)\n* 2016 – SWAB Barcelona (ES)\n* 2016 – Kölner Liste (DE)\n* 2016 – Room Art Fair, Madrid (SP)\n* 2016 – Set Up Art Fair, Bologna (IT)\n* 2015 – Art Market Budapest (HUN)\n* 2015 – Art Copenhagen (DNK)\n\nAtelier: Obermättlistrasse 34, CH–6015 Luzern","Jung","Marina",{"@id":227,"@score":229,"@type":230,"kleio:category_tags":256,"kleio:cover_asset":258,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":259,"kleio:user_record_id":204,"kleioapi:in_set":261,"kleioapi:in_space":262,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"rdfs:label":263,"rdfs:label__de":263,"schema:title":263,"schema:title__de":263,"threems:relatesTo":230},[257],"kleio:tag_category_group-show","kleio:asset_4a14649a-cb9a-4230-bbc1-4eba39cb0f07",[260],"kleio:tag_type_exhibition",[39],[25],"Mystik","kleio:record_75256",{"@id":264,"@score":216,"@type":230,"dc:creator":266,"dc:isPartOf":267,"kleio:category_tags":268,"kleio:cover_asset":270,"kleio:default":6,"kleio:record_owner":63,"kleio:stack_rank":67,"kleio:type_tags":271,"kleio:user_record_id":273,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":274,"kleioapi:in_space":275,"kleioapi:is_actor":6,"kleioapi:main_date__date":276,"kleioapi:main_date__date__lower":277,"kleioapi:main_date__date__upper":278,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"kleioapi:stack_count":279,"rdfs:label":280,"rdfs:label__de":280,"schema:description":281,"schema:description__de":281,"schema:title":280,"schema:title__de":280,"threems:relatesTo":230,"threems:searchVia_index":67},[219],"kleio:stack_cfdfdc1c-814b-4669-bdeb-114a24b7c9e6",[269],"kleio:tag_category_painting","kleio:asset_cb7dc824-d9dc-4a3e-85a8-2ae2759fce38",[272],"kleio:tag_type_work",21,[40],[25],"2016","2016-01-01","2016-12-31",9,"My Rocky Walls V3","In der Serie «My Rocky Walls» befasst sich die Künstlerin mit der Topographie ihrer Heimatregion. Die starken Farben und kalligrafisch bewegten Pinselstriche sind Ausdruck ihrer ambivalenten Gefühle gegenüber den «steinigen Felswänden», welche man aus der Talperspektive sieht. Bergwände sind für Lutz einerseits bedrohlich, denn sie nehmen einen das Sonnenlicht weg und versperren die Sicht ins Weite. Andererseits faszinieren sie aber durch ihre Stärke und spenden Schutz und Orientierung. Die Künstlerin bezeichnet ihre Landschaften auch als «Karikaturen», da es sich um eine überzeichnete, subjektive Darstellung handelt.\n\n«My Rocky Walls» is Lutz' artistic hassle with the topography of her home region. The strong colours and the calligraphic brush strokes are an expression of her ambivalent feelings towards the mountain walls, that you have to look at if you live in a Swiss valley. Lutz likes to call her mountain landscapes «caricatures» because she depicts them in a very subjective and exagerated way.\n\nAusstellungen:\n\n2016 Plakatausstellung Kunstforum Zentralschweiz, \nKornschütte Luzern\n\n2016 Podologie Meister, Inwil/Zug\n\n2017 Galerie Löwen, Chur\n\n2017 SmartTalk, Luzern\n\nMotiv: Schöllenenschlucht, gleiches Motiv wie V2 aber weiter entwickelt","kleio:record_229270",{"@id":282,"@score":216,"@type":230,"dc:creator":284,"dc:isPartOf":286,"kleio:cover_asset":287,"kleio:default":6,"kleio:record_owner":63,"kleio:stack_rank":67,"kleio:type_tags":288,"kleio:user_record_id":289,"kleioapi:creator__labels":290,"kleioapi:creator__labels__de":292,"kleioapi:in_set":293,"kleioapi:in_space":294,"kleioapi:is_actor":6,"kleioapi:main_date__date":295,"kleioapi:main_date__date__lower":296,"kleioapi:main_date__date__upper":297,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"kleioapi:stack_count":298,"rdfs:label":299,"rdfs:label__de":299,"schema:description":300,"schema:description__de":300,"schema:title":299,"schema:title__de":299,"threems:relatesTo":230,"threems:searchVia_index":215},[219,285],"kleio:record_80987","kleio:stack_70eb1671-fc09-40ab-8d39-84ec77ec01e9","kleio:asset_222bb05f-3e2a-4774-b2ab-b064240ae096",[272],265,[291,68],"Fabian Jung",[291,68],[40],[25],"2020","2020-01-01","2020-12-31",4,"musica 2","Die Serie «musica» ist ein Werk vom Kollektiv Lutz & Jung, welches aus Marina Lutz und Fabian Jung besteht. Beide Künstler haben abwechslungsweise an den gleichen Bildern gemalt. Entstanden sind spontane Kompositionen aus verschiedenen Techniken und Farben.\n\nAusgestellt 20201 unter den Bänken der reformierten Kirche Sursee.\nJeder Künstler erhielt 3 MDF-Holzplatten mit den gleichen Massen und den vorgebohrten Löchern.","kleio:record_229511",{"@id":301,"@score":216,"@type":230,"dc:creator":303,"dc:isPartOf":304,"kleio:cover_asset":305,"kleio:default":6,"kleio:record_owner":63,"kleio:stack_rank":67,"kleio:type_tags":306,"kleio:user_record_id":307,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":308,"kleioapi:in_space":309,"kleioapi:is_actor":6,"kleioapi:main_date__date":310,"kleioapi:main_date__date__lower":311,"kleioapi:main_date__date__upper":312,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"kleioapi:stack_count":279,"rdfs:label":313,"rdfs:label__de":313,"schema:description":314,"schema:description__de":314,"schema:title":313,"schema:title__de":313,"threems:relatesTo":230,"threems:searchVia_index":315},[219],"kleio:stack_473365e2-acd3-41f0-91ab-487d0b57de9e","kleio:asset_ab22bf3c-dd72-4e0f-9d9d-361cd521c863",[272],273,[40],[25],"2019","2019-01-01","2019-12-31","KVA","Das Bild «KVA» ist Teil der Werkserie «moviment». In dieser Serie wird das Leben und die Bewegung an der Reuss thematisiert. Das Rauschen des Wassers, die vorbeirasenden Autos, die langsamen Spaziergänger oder die vorbeiziehenden Wolken werden mit unterschiedlichem Pinselrhythmus auf die Leinwand gebracht. Die Faszination für den täglichen Wandel des Stadtbildes von Emmenbrücke ist Motivationsfaktor um solche Momentaufnahmen zu machen. Lutz möchte möchte durch den Akt des Malens diese unscheinbaren und doch so identitässtiftenden Industriegebäuden aus Emmenbrücke würdigen und verewigen.\n\n\nDie Kehrichtsverbrennungsanlage ist hoch über dem Emmencenter lange Jahre ein Orientierungspunkt gewesen, welchen man schon von weit her gesehen hat. Hoch über dem Emmencenter konnte all die einst geliebte und nun nicht mehr gebrauchte Ware wieder verbrannt werden und als Dunstwolke in den Himmel steigen. Wie ein Palast oder ein grosses Schiff glänzte die KVA jeweils in der Abendsonne und erinnerte uns wie ein Krematorium an unsere Sterblichkeit, während die Reuss mit rasantem Tempo immer weiter fliesst und die Geschichte mit sich trägt.",7,"kleio:record_229533",{"@id":316,"@score":216,"@type":230,"dc:creator":318,"dc:isPartOf":319,"kleio:cover_asset":320,"kleio:default":6,"kleio:record_owner":63,"kleio:stack_rank":67,"kleio:type_tags":321,"kleio:user_record_id":322,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":323,"kleioapi:in_space":324,"kleioapi:is_actor":6,"kleioapi:main_date__date":310,"kleioapi:main_date__date__lower":311,"kleioapi:main_date__date__upper":312,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"kleioapi:stack_count":315,"rdfs:label":325,"rdfs:label__de":325,"schema:description":326,"schema:description__de":326,"schema:title":325,"schema:title__de":325,"threems:relatesTo":230,"threems:searchVia_index":327},[219],"kleio:stack_7be04b50-d8dc-4c7f-a434-148a02d2551d","kleio:asset_f859a086-9ad1-4bbd-894f-72d3ea993c1f",[272],286,[40],[25],"Leo am Chillen","Ich habe alle Zimmerpflanzen aus meinem Atelier portraitiert und mir vorgestellt, wie diese als Person aussehen würden.",19,"kleio:record_229544",{"@id":328,"@score":216,"@type":230,"dc:creator":330,"dc:isPartOf":331,"kleio:cover_asset":332,"kleio:default":6,"kleio:record_owner":63,"kleio:stack_rank":298,"kleio:type_tags":333,"kleio:user_record_id":334,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":335,"kleioapi:in_space":336,"kleioapi:is_actor":6,"kleioapi:main_date__date":295,"kleioapi:main_date__date__lower":296,"kleioapi:main_date__date__upper":297,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"kleioapi:stack_count":216,"rdfs:label":337,"rdfs:label__de":337,"schema:title":337,"schema:title__de":337,"threems:relatesTo":230,"threems:searchVia_index":338},[219],"kleio:stack_bbbbe3fa-ddb9-45b5-a5f3-061d9a86c761","kleio:asset_ba570ea3-8674-4840-897b-77c164e26238",[272],287,[40],[25],"Fabian",20,"kleio:record_229801",{"@id":339,"@score":216,"@type":230,"dc:creator":341,"dc:isPartOf":342,"kleio:cover_asset":343,"kleio:default":6,"kleio:record_owner":63,"kleio:stack_rank":67,"kleio:type_tags":344,"kleio:user_record_id":345,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":346,"kleioapi:in_space":347,"kleioapi:is_actor":6,"kleioapi:main_date__date":348,"kleioapi:main_date__date__lower":349,"kleioapi:main_date__date__upper":350,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"kleioapi:stack_count":216,"rdfs:label":351,"rdfs:label__de":351,"schema:description":352,"schema:description__de":352,"schema:title":351,"schema:title__de":351,"threems:relatesTo":230,"threems:searchVia_index":273},[219],"kleio:stack_d31362d8-5c8a-4a09-a7dc-f7c605b05b42","kleio:asset_494c812f-8ce1-4d92-8602-6e6563a0f7ed",[272],293,[40],[25],"2020-11","2020-11-01","2020-11-30","Kein Kuss unter dem Parasiten","Für Ausstellung «Ho ho ho – Digital Christmas», Kali Gallery 2020\nThema der Ausstellung: Weihnachten im Corona Jahr\n\n\n**Zum Werk:**\n\nDie Mistel wird als Symbol für Glück verstanden. Früher brauchte man die Pflanze als krampflösendes Heilmittel. Schweizer kennen Misteln vielleicht eher aus englischen oder amerikanischen Filmen, wo Mistelzweige zur Weihnachtsdekoration gehören. Wer sich unter einem Mistelzweig küsst, soll angeblich eine glückliche Beziehung führen. Diese Weihnachten werden unter den staatlichen Corona Massnahmen wohl viele Menschen einsam sein und niemanden zum Küssen oder Umarmen haben. Das Glück scheint weit weg. Interessanterweise haben Covid-Viren den schlechtesten Ruf als böse Parasiten. Misteln hingegen, die schönen Glücksbringer der Weihnachtszeit, sind botanisch gesehen \"gemeine\" Parasiten, welche mit kleinsten Schläuchen den Lebenssaft aus ihren Wirten aussaugen.","kleio:record_229803",{"@id":353,"@score":216,"@type":230,"kleio:cover_asset":355,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":356,"kleio:user_record_id":357,"kleioapi:in_set":358,"kleioapi:in_space":359,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"rdfs:label":360,"rdfs:label__de":360,"schema:title":360,"schema:title__de":360,"threems:relatesTo":230,"threems:searchVia_index":361},"kleio:asset_b37e7aa5-2b35-4799-8c28-14c9ec00f7cf",[272],294,[40],[25],"Wasserfall über fallendem Wasser",22,"kleio:record_232386",{"@id":362,"@score":216,"@type":230,"dc:creator":364,"dc:isPartOf":365,"kleio:category_tags":366,"kleio:cover_asset":368,"kleio:default":6,"kleio:record_owner":63,"kleio:stack_rank":67,"kleio:type_tags":369,"kleio:user_record_id":370,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":371,"kleioapi:in_space":372,"kleioapi:is_actor":6,"kleioapi:main_date__date":373,"kleioapi:main_date__date__lower":374,"kleioapi:main_date__date__upper":375,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"kleioapi:stack_count":279,"rdfs:label":376,"rdfs:label__de":376,"schema:description":377,"schema:description__de":377,"schema:keywords":378,"schema:title":376,"schema:title__de":376,"threems:relatesTo":230,"threems:searchVia_index":382},[219],"kleio:stack_46039ab3-7c2c-43f0-96ac-0f75b667581c",[367],"kleio:tag_category_object","kleio:asset_4de038c3-1c02-4428-8344-cc9620356199",[272],297,[40],[25],"2021","2021-01-01","2021-12-31","variations of a pine cone","Der Tannenzapfen ist ein wiederkehrendes Thema im Werk von Marina Lutz. Als Fortpflanzungsorgan der Nadelbäume sind sie Symbol für Fruchtbarkeit und Unendlichkeit. In der Serie «Variations of a pine cone» spielt die Künstlerin mit verschiedenen Farben und Formen – unter anderem auch um verschiedene Konnotationen zu erzeugen, welche von der gängigen Verbindung zu Weihnachtsdekoration abweichen. Das harte Material Beton bringt Lutz in eine organische Form.",[379,380,381],"kleio:tag_content_11255","kleio:tag_content_6349","kleio:tag_content_11904",24,"kleio:record_232999",{"@id":383,"@score":216,"@type":230,"dc:creator":385,"kleio:cover_asset":386,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":387,"kleio:user_record_id":388,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":389,"kleioapi:in_space":390,"kleioapi:is_actor":6,"kleioapi:main_date__date":391,"kleioapi:main_date__date__lower":392,"kleioapi:main_date__date__upper":393,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"rdfs:label":394,"rdfs:label__de":394,"schema:description":395,"schema:description__de":395,"schema:keywords":396,"schema:title":394,"schema:title__de":394,"threems:relatesTo":230,"threems:searchVia_index":398},[219],"kleio:asset_0ee08bbf-ddec-47f6-8045-8f8ced5d9490",[272],305,[40],[25],"2011","2011-01-01","2011-12-31","Dog Smoking A Pipe","Gemalt während dem Atelieraufenthalt im Moray Art Centre in Findhorn (eco village). Die Szene zeigt einen Jagdhund, gesehen am Wasser vor dem Dorf Findhorn, jedoch ohne Pfeife.",[397,380],"kleio:tag_content_6089",30,"kleio:record_239381",{"@id":399,"@score":216,"@type":230,"dc:creator":401,"kleio:cover_asset":402,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":403,"kleio:user_record_id":404,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":405,"kleioapi:in_space":406,"kleioapi:is_actor":6,"kleioapi:main_date__date":373,"kleioapi:main_date__date__lower":374,"kleioapi:main_date__date__upper":375,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"rdfs:label":407,"rdfs:label__de":407,"schema:description":408,"schema:description__de":408,"schema:title":407,"schema:title__de":407,"threems:relatesTo":230,"threems:searchVia_index":409},[219],"kleio:asset_9a6ae107-f9c3-4144-834c-ddbae382f00b",[272],311,[40],[25],"Stachelreh","Gekauftes Kunststoffreh, blau angemalt, mit Stachelschale von Nusskastanie beklebt",32,"kleio:record_241630",{"@id":410,"@score":216,"@type":230,"dc:creator":412,"kleio:cover_asset":414,"kleio:default":6,"kleio:record_owner":63,"kleio:type_tags":415,"kleio:user_record_id":416,"kleioapi:creator__labels":68,"kleioapi:creator__labels__de":68,"kleioapi:in_set":417,"kleioapi:in_space":418,"kleioapi:is_actor":6,"kleioapi:main_date__date":295,"kleioapi:main_date__date__lower":296,"kleioapi:main_date__date__upper":297,"kleioapi:owner_default_space__label":68,"kleioapi:owner_default_space__label__de":68,"kleioapi:owner_default_space__label__en":69,"kleioapi:owner_default_space__label__fr":69,"kleioapi:public":6,"rdfs:label":419,"rdfs:label__de":419,"schema:title":419,"schema:title__de":419,"threems:relatesTo":230,"threems:searchVia_index":420},[413,219],"kleio:record_ae2a8e67-f656-4941-9816-1d7fe346bd20","kleio:asset_e617d2f0-eca5-4bb2-9bb2-8d79d0e38cbf",[272],314,[40],[25],"Mann im 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Mit einer glasklaren Bildsprache zeigt sie Gebäude und Objekte, deren Funktion sie nicht kennt. Ohne die Motive zu verfremden oder ihre Geschichte zu beleuchten, möchte Lutz lediglich zeigen, was ist. In einer Gesellschaft, die sich immer schneller bewegt und ständig durch verschiedene Reize abgelenkt wird, erfüllt ein solches Gemälde die einfache Funktion eines Fingerzeigs auf ein bestimmtes Objekt. Die Bilder verdeutlichen die Spannung zwischen Architektur und Natur, zwischen geometrischen und amorphen Formen. Die meist menschenleeren Szenen werden mit kleinen Lebenszeichen, wie Graffitis oder den Kondensstreifen eines Flugzeuges, ergänzt. 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